The artist Pablo Picasso’s first exhibition opened in Paris on this day in 1901. His host and the organiser of the exhibition was ‘the known anarchist’ Pere Mañach, a friend of Picasso’s from Barcelona, who invited him to stay at his apartment on the Boulevard de Clichy and acted as his agent.
Picasso was kept under surveillance by the French police for 40 years. As evidence of his anarchist leanings, the 1901 police report said of him: ‘One of his recent paintings shows soldiers in foreign uniforms beating a beggar on the ground. Also in his room are several paintings representing mothers being rebuffed as they beg from the upper classes.’ In 2005, one of the paintings he made of the view from the window of his room fetched $1,696,000 in a sale at Christie’s in New York.
#232: Rue Britannia ● The legacy of the British Empire ● An interview with Priyamvada Gopal ● The People’s Olympics ● An interview with Neville Southall ● Agribusiness in India ● Deliveroo’s disastrous IPO ● Latest book reviews ● And much more!
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Radical workers’ sporting organisations and the 1936 People’s Olympiad illustrate the role of sport in fighting oppression, writes Uma Arruga i López.
Lesley Chow argues for a new kind of music criticism that re-evaluates women musicians and "meaningless" music, writes Rhian E Jones
Olympic ‘legacy’ has greased the path for enormous, upward transfer of wealth to the global propertied classes, writes Jules Boykoff
If earning money is a fundamental reason for entering the sex industry, it is also essential to leaving it, writes Marin Scarlett.
Major financial institutions have cited Deliveroo’s employment practices for its disastrous public share launch. Alice Martin and Tom Powdrill look at what went wrong and what it might mean for workers’ rights
Almost 30 years on, Sarbjit Johal recalls supporting the strike, which consisted of mostly Punjabi women workers
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