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Art and museums

  • Fighting the dirty money behind art, sports and culture

    Paula Lacey traces efforts to wash out state and corporate influence on culture in the UK around the world

  • A photo of a sign outside a building that looks like a house reads: creativity + community + collection and archive MOH research and campaigns + supplies + solidarity; a group of four smiling people pose in front of wooden crates

    Space, cash and grassroots futures

    The government alone won’t support culture, argues Matt Turtle. In discontented Britain, community connection, creative ingenuity and staying power are key

  • A montage of photos showing: a child kicking a football inside a closed space; a prtest rally with signs reading: No Staff, No Art; a small child wearing a VR headset with the words ‘let create museums of the future’ super imposed; a signer on stage reaching out towards the crowd

    The state of the arts

    Danielle Child examines the key issues facing the arts under Labour, following 14 years of Conservative government, austerity programmes, Brexit and a global pandemic

  • Handala, a character originally drawn by Naji Al-Ali, painted onto the West Bank barrier

    A Child in Palestine – review

    A Child in Palestine is a powerful tribute to the enduring legacy of Naji al-Ali, writes Jeanine Hourani

  • Games Gyān Caupar, Reise um die Erde, The Noble Game of Elephant and Castle, Settlers of Catan

    Game on! It’s time to decolonise play

    Mary Flanagan examines the sordid history of how colonialism has shaped the games we play – and how we can build play spaces free of it

  • On a pale yellow background there is a collage of images from Birmingham. One is a blue plaque for the Centre for Contemporary Cultural Studies and others are buildings with radical grafitti on them.

    Four quarters of radical Birmingham

    The ‘Gramscian project’ of the Centre for Contemporary Cultural Studies, established in 1964 by Stuart Hall and Richard Hoggart at the University of Birmingham, left an indelible mark on the city. Josh Allen surveys its enduring radical edge

  • A promotional photo from a production of the play Death in Venice

    Neoliberal economics is killing the arts

    Funding cuts and reduced access are cementing the arts as a privileged realm. It’s time to resist ‘art-as-capital’ thinking, argues Tim Lutton