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Socialism

  • A selection of magazine covers against a red background, including bitch, gal-dem, Tribune, Peace News, Spare Rib and Mukti

    Hold the press: the rise, fall and rise again of left media

    In the ever-shifting landscape and viability of print media, left-wing publications can take many forms and directions. Paula Lacey spotlights a selection of trajectories taken in the UK and beyond

  • Arrows pointing up and down against a red background

    Transition time for Red Pepper

    After 31 years, Red Pepper is ceasing print production. Editors Hilary Wainwright and Siobhán McGuirk explain why – and invite readers to shape what comes next

  • Photos of left media personalities on a red background

    What’s left online? Content vs clickbait

    Media producers on the left must work both in and against the online content economy, argues Gerry Hart

  • An array of images on a red background: a Puck magazine cartoon, an archive newspaper, a punk style zine and the cover of Private Eye

    Life in print: a history of socialist publishing

    Former Red Pepper editor K Biswas reflects on the ebb and flow of media fortunes and how a drive to print continues to galvanise the left

  • A fire engine with fire fighters along side and on top of it in the middle of a road, with burning buildings and bright fires behind it

    From the Ashes – review

    Grief and loss are inescapable parts of the fight for a better world, but Sarah Jaffe demonstrates that they are compatible with resilience and determination, writes Joana Ramiro

  • A large red hand with smaller arms and hands inbetween

    Key words: Solidarity

    Solidarity does not simply ‘exist’, explains Mark Steven. It must be built and put into action by all of us, everywhere, together

  • A procession carrying banners representing different British trade unions, with a drummer in the foreground

    Another England – review

    The left has long been skeptical of embracing English identity, but Caroline Lucas offers a radical alternative vision of Englishness divorced from right wing nationalism writes Tommy Sissons

Pepperista logo 'Pepper' in red text and 'ista' in black font using Red pepper standard font

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