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Following Raymond Williams’ ‘culture is ordinary’, we explore politics across media, film, stage, screen, music, sport and play – prioritising creative grassroots voices

World without borders Illustration: Cressida Knapp

Following Raymond Williams’ ‘culture is ordinary’, we explore politics across media, film, stage, screen, music, sport and play – prioritising creative grassroots voices

World without borders Illustration: Cressida Knapp

  • A black and white photo of a crowd of people stood in a semi-circle listening to a speaker, whilst holding placards reading 'trans rights now' and 'trans bodies are not a political playground'

    Deviants and trailblazers – review

    Rebecca Jane Morgan’s account of the fight for legal recognition for trans people in the UK is a valuable resource to contemporary activists, writes Kit Heyam

  • A headshot of writer Grace Byron next to the cover of her book Herculine

    Grace Byron on cultural criticism, transphobia and Trump

    Alexandra Diamond-Rivlin speaks to writer Grace Byron about trans representation, AI and cultural criticism in an age of moral panic

  • Four plastic miniature workers depicted as working on top of a circuit board

    Behind the ‘intelligent’ chatbot

    Angela Chukunzira, Tyler Finken and Finn Jetses highlight multinational resistance to AI’s social and ecological impact

  • A theatrical scene sees a woman in black surrounded by a group wearing red, with white faces

    Theatre and political transformations in Brazil

    Luke Lewin Davies and Jenny Futuro speak to São Paulo-based playwright Filipe Pereira on the challenges of left theatre-making in Brazil’s evolving political landscape

  • A black and white photograph of Groote Schuur, the country estate of Cecil Rhodes in South Africa

    Cape Fever – review

    Nadia Davids’ gothic tale evokes the suffocation of domestic service as a psychological duel unfolds between madam and maid, writes Fifi Bat-hef

  • A stock photograph of a baby being held by their parents

    We Grow the World Together – review

    We Grow the World Together’s collected essays are a vital resource on caregiving and abolition for those hoping to build a better world for future generations, writes Gracie Mae Bradley

  • A black and white photograph of Andrée Blouin

    My Country: Africa – review

    Andrée Blouin’s autobiography, whilst messy at points, charts a clear history of resistance to colonial oppression, writes Olivia Umuerwa Rutazibwa

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