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  • A screenshot of the video game Pokémon Pokopia, featuring a barren landscape rendered in stylised, blocky textures and vibrant colours

    Pokopia, cosy games and the problem of escapism

    ‘Cosy games’ have grown in popularity in recent years but can they be more than mere escapism? Dr Stephanie Farnsworth investigates

  • A b&w photo of a white man wearing glasses with a book cover (The Reverse Cenataur's Guide to Life After AI) against a computer chip background

    Cory Doctorow: AI bubbles, bosses and sci-fi

    As The Reverse Centaur’s Guide to Life After AI hits shelves, author Cory Doctorow explains the widely destructive promise of the AI bubble

  • A red pill and a blue pill side by side

    The political economy of the manosphere

    The online industry feeding off the anger of young men hides a deeper structure of digital capitalism, writes Alison Phipps

  • Four plastic miniature workers depicted as working on top of a circuit board

    Behind the ‘intelligent’ chatbot

    Angela Chukunzira, Tyler Finken and Finn Jetses highlight multinational resistance to AI’s social and ecological impact

  • A 19th century illustration of a quack, edited to show him holding a smartphone, whilst the logos of Instagram and ChatGPT are placed above him

    Algorithms vs the welfare state

    Concerns about misleading AI and influencer ‘content’ on health, welfare and civil rights miss a wider issue, argues Sophia McHardy. They fill a human-made gap that risks becoming an austerity-shaped chasm

  • Two people in high-vis yellow vests are pasting up a billboard, which shows a Monopoly board subverted to critique Amazon

    Amazon and the cost of Christmas

    Amazon’s Black Friday-January Sales consumerism juggernaut is uniting campaigners. Robbie Gillett charts the corporation’s varied crimes – and explains the necessary response

  • An early 19th century illustration of the Luddite figurehead Ned Ludd, shown as a giant urging his followers onward.

    The Mechanic and the Luddite – review

    Jathan Sadowski’s book lays the groundwork for a more cohesive resistance against capitalist technology, writes Paula Lacey

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