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  • Black and white photograph of Thom Yorke singing and playing guitar with band in the background

    The ‘progressive’ musicians putting profit over Palestine

    As artists pressure music festivals to cut ties with Israel, prog-rockers like Radiohead and Nick Cave keep rejecting calls to boycott. Their stance is morally bankrupt, argues Aisling Walsh

  • A broader songsheet: An interview with Gary Younge

    Twenty years on from his piece for Red Pepper’s tenth anniversary, Gary Younge reflects on the shifting landscape of alternative media. Interview by Paula Lacey

  • On a black baground the ilustrated outline of a tank in pink. Figures are climbing on it with flowers, CND symbols and a flag of Palestine. The text reads: Games Transformed 2024: No war but class war

    Games Transformed: play, jams and gamers against militarism

    Games are not neutral, says Sara Khan. Its time for gamers to raise the alarm – and creatively resist the military-entertainment complex

  • Games Gyān Caupar, Reise um die Erde, The Noble Game of Elephant and Castle, Settlers of Catan

    Game on! It’s time to decolonise play

    Mary Flanagan examines the sordid history of how colonialism has shaped the games we play – and how we can build play spaces free of it

  • Graphics from video games in a montage with people laughing playing a game

    How to stop getting played

    Games and play are everywhere under neoliberal capitalism. But they can also show us the way to a better future, argues Keir Milburn

  • A stylised red flag waving on black background

    Red Pepper: how it all began

    The founders of Red Pepper – Tony Cook, Dee Searle, Clifford Singer and Hilary Wainwright – reflect on the birth of the magazine in 1994

  • On a pale yellow background there is a collage of images from Birmingham. One is a blue plaque for the Centre for Contemporary Cultural Studies and others are buildings with radical grafitti on them.

    Four quarters of radical Birmingham

    The ‘Gramscian project’ of the Centre for Contemporary Cultural Studies, established in 1964 by Stuart Hall and Richard Hoggart at the University of Birmingham, left an indelible mark on the city. Josh Allen surveys its enduring radical edge

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