The abolition of Art History A-Level will exacerbate social inequality
This is a massive blow to the rights of ordinary kids to have the same opportunities as their more privileged peers. Danielle Child reports.

The disappearing exhibition
Danielle Child reviews An Imagined Museum, which invites visitors to commit artworks to memory before they are removed – and re-created

A rich man’s world
Danielle Child visits a fascinating exhibition telling the damning history of finance

We Want People Who Can Draw
Danielle Child writes on an exhibition of art school dissent

Cultural Capital
Cultural Capital: The Rise and Fall of Creative Britain, by Robert Hewison, reviewed by Danielle Child

Objects of change
The new V&A exhibition Disobedient Objects is devoted to objects created by grassroots social movements as tools of social change. Danielle Child spoke to co-curator Gavin Grindon

Words’ worth: Keywords at Tate Liverpool
Tate Liverpool’s new exhibition on Raymond Williams’ Keywords brings together a wide range of work but fails to capture the political impulse of the original text, writes Danielle Child

Tate’s left turn
Tate Liverpool has opened its doors to an exhibition devoted to the left. Danielle Child spoke to the gallery’s artistic director Francesco Manacorda