Liberate Tate aims ‘to free art from the grips of the oil industry’. They focus on BP’s sponsorship of the Tate arguing that the oil company’s sponsorship of this cultural institution is key in providing it with a ‘social license to operate’. In Summer 2010 Tate provided a forceful demonstration of this. As oil was still gushing into the Gulf of Mexico from BP’s Deepwater Horizon, Tate held its annual Summer Party which celebrated twenty years of BP sponsorship. Liberate Tate also turned up creating their own tribute to BP in the form of an artistic ‘oil’ spill.
BP’s sponsorship of the arts has been attracting increasing controversy over the last few weeks as the ‘Reclaim Shakespeare Company‘have taken over stages to highlight BP’s sponsorship of the Royal Shakespeare Company.
Liberate Tate’s past performances have featured black veils, helium balloons bearing dead fish and a naked person covered in ‘oil’ but Saturday’s event promises to be bigger than anything seen before. To add to the intrigue they’ve created this Tom Waits inspired video. What indeed are they building? If you want to find out add a mobile phone number here to find out the location and wait for the fun to begin on Saturday!
The new faces of the unions ● How Bolsonaro rose to power in Brazil ● Tribune and the Tribune group ● DIY cinema ● Peterloo and Sorry to Bother You reviews ● and much more
And you choose how much to pay for your subscription...
Dougie Gerrard reports on the people taking extreme measures to protest Erdogan’s continued assault on Kurds.
Phil Hearse explores the worldwide allegiances which bind rising fascist movements across the world into a coordinated force.
Edgardo Lander talks to Red Pepper about the mounting tensions in Venezuela
Olly Haynes reports on the violent crackdown on protesters on the streets of France
Ignasi Bernat and David Whyte explain why the political trials this week only reveal the tip of the iceberg.
There is only a small window of opportunity to prevent further catastrophic change, writes Lesley Rankin.