One by one, Palestine’s classic cinemas are being erased. Municipal bulldozers began razing the al‑Assi cinema in Nablus last year after the abandoned property was purchased from its owners. These photos show how it looked just before its demolition.
It was the second Palestinian cinema in the West Bank to be demolished in less than a year, after Cinema Jenin was torn down in December 2016.
Al-Assi, which opened in the early 1950s, was shuttered during the first intifada in 1987 and reopened a decade later. A few years after that, during the second intifada, it closed for good.
There are currently only two dedicated cinemas in continuous operation in Palestinian cities in the West Bank – Cinema City, opened in Nablus in 2009, and Palestine Tower, opened in Ramallah in 2014. Other cinemas throughout the West Bank and Gaza have been shuttered, some of them demolished and others turned into wedding halls or garages. Some Palestinian cities have never had a proper cinema.
The golden age of Palestinian movie-going peaked during the first half of the last century. Before the dispossession of Palestine and the declaration of the state of Israel in 1948, cities such as Jaffa, Haifa, Akka and Jerusalem were famous for their cinemas, which were seen as a symbol of their modernity.
#229 No Return to ‘Normal’ ● Sir David King blasts the government ● State power, policing and civil rights under Covid-19 ● Hope and determination in grassroots resistance ● Black liberation and Palestine ● The future of ‘live’ ● Pubs, patriotism and precarity ● Latest book reviews ● And much more!
And you choose how much to pay for your subscription...
Julie Saumagne and Sam Swann explore the links between worker exploitation and institutional elitism in the culture industry
Phoebe Kisubi reflects on using participatory theatre as a tool for social and political activism among sex workers in Cape Town, South Africa
Shakespeare’s women can alert us to alternative stories – if we listen to them. In ‘talking back’ to the Bard we can change our own stories, says Charlotte Scott
Today’s welfare system is notoriously punitive, but in the 1980s it provided the basis of future Olympic success, argues Peter Goulding
As venues tentatively reopen post-lockdown, Siobhán McGuirk surveys the impact of the pandemic on comedy, theatre and the cultural sector
Elizabeth McGuirk interviews Claire Cunningham, the internationally acclaimed disabled artist, about taking risks, engaging audiences beyond our own bubble, and the enduring power of The King