Born in 1869 to an orthodox Jewish family in Lithuania, Goldman came to personify a tireless, freedom-loving, life-affirming version of anarchism. Chided by a fellow anarchist at one event for her carefree, abandoned dancing, she is supposed to have responded ‘If I can’t dance, I don’t want to be in your revolution.’
In fact, she never used these words. She recounted in her autobiography that: ‘I told him to mind his own business, I was tired of having the Cause constantly thrown in my face. I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from conventions and prejudice, should demand denial of life and joy. I insisted that our Cause could not expect me to behave as a nun and that the movement should not be turned into a cloister. If it meant that, I did not want it. “I want freedom, the right to self-expression, everybody’s right to beautiful, radiant things.”‘
#233: Democracy on the Wing ● Thelma Walker on regional autonomy ● An interview with Clive Lewis ● The World Transformed ● Gender, sexuality and witchcraft ● The globalisation of ‘Asian horror’ ● A tribute to Dawn Foster ● Latest book reviews ● And much more!
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Gerry Hart speaks to Simon Barr of Dawn Ray'd about black metal, its relationship with the far right and its radical potential
Bliss Cua Lim looks at how the female ghost subgenre illuminates efforts to globalise ‘Asian horror’
David J. Lobina rediscovers a forgotten but fascinating figure in London’s radical and Jewish history
Sabrina Huck argues that a generational shift away from the Conservative Party can’t be taken for granted
Tina Ngata explains the social and legal legacies of a 15th-century Christian principle that paved the way for imperial violence in, and far beyond, New Zealand
Claudia Rankine's collection perfectly illustrates the power of frank conversations with white people on race and racism, writes Kimberly McIntosh
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