I’ve known the members of The Melodic since we met quite randomly in the centre of Marrakech seven years ago and have remained great friends ever since; me and [The Melodic band member] Huw Williams both studied at Leeds University together. Three years ago, when I first heard The Melodic perform ‘Ode to Victor Jara’, I became inspired to create a piece of moving image with the same intent, passion and politics that first brought the band to write and play the song. The sounds and imagery conjured up by the song’s narrative and the eclectic mix of instruments and rhythms sparked a strong vision for how the song could be translated visually.
The idea was then slowly conceived over three years alongside intense periods of model making and research, which finally came to a head over the last month. With a tight deadline, quick intuitive prop-making, strong teamwork, and a two person animating/film crew (with a high-level of perseverance and no first-hand experience) the video was created.
I was lent an old copy of Joan Jara’s ‘Victor: An unfinished Song’ which I found moving and a poignant epilogue to Victor’s life and work. This provided a founding knowledge, which I was able to expand on using online resources, to research Victor’s legacy regarding the group Inti Illimani, Quilapayún and the Nueva Cancion Chilena (New Chilean Song) movement. Watching Patrico Guzman’s films, ‘The Battle of Chile’ and more recent ‘Nostalgia for the Light’, helped in gaining an understanding of the wider historical and political context surrounding Victor, the coup and post-Allende Chile. I collect vast amounts of pictures when collating research for any art project, so the film references images from Inti-Illimani album covers, Chilean protest artwork and slogans, local handicrafts, Andiean sculpture, pattern and folklore as well as landmarks such as the UNESCO costal town of Valparaíso.
One of the main intentions of the Nueva Canción movement was the renewel of folk traditions – something both I and The Melodic believe in too. Through the use of the marionette, old-fashioned toys, recycled materials and fabric, woodcarving and metalwork; Andean as well as European craft is combined and reinvented to portray a political message for a contemporary audience. The Arpilleras, three-dimensional appliqué textiles from Latin America (a basis for the villagers in the film) actually became a political tool for women to speak against Pinochet’s regime. The inclusion of ‘¡El pueblo unido, jamás será vencido!’ (the people, united, will never be defeated!) directly references a widely used slogan and lyric of Quilapayún, a musical ensemble that Victor supported and worked closely with.
Victor had an extensive career in many areas of the arts and social activism, including theatre, dance and music. The idea that practicing creative arts should also involve political conviction is one I’d definitely share with Victor Jara.
Hilary Wainwright argues against reclaiming populism for the left and for a leadership that supports people’s capacity for self-government
It may seem as though these apps are working for us, but we are also working for the apps, writes Kurt Iveson
It's over 100 years ago that domestic workers began to organise to demand the same rights as other workers. Yet with LSE cleaners on strike this week, historian Laura Schwartz asks: how much has really changed?
Omar Barghouti asks whether Donald Trump, in his recent break with America’s long-standing support for the two-state solution, has unwittingly revived the debate about the plausibility, indeed the necessity, of a single, democratic state in historic Palestine?
Glenn Greenwald was interviewed by Amandla Thomas-Johnson over the phone from Brazil. Here is what he had to say on the War on Terror, Trump, and the 'special relationship'
In 1972 David Widgery wrote about the bitter intensity of love in capitalism
Andrew Dolan on how the left must match the anti-establishment rhetoric of the right, but with a different politics
Emma Snaith speaks with directors Emer Mary Morris and Nina Scott about the power of theatre to encourage community resistance to estate demolitions.
In the first of a series of interviews with migrants' rights and racial justice activists from the US, Marienna Pope-Weidemann speaks to Peter Pedemonti, co-founder and director of the New Sanctuary Movement in Philadelphia
Photos from The World Transformed festival in Liverpool, by David Walters
Red Pepper’s race section: open editorial meeting 19 April
On April 19th, we’ll be holding the second of Red Pepper’s Race Section Open Editorial Meetings.
Changing our attitude to Climate Change
Paul Allen of the Centre for Alternative Technology spells out what we need to do to break through the inaction over climate change
Introducing Trump’s Inner Circle
Donald Trump’s key allies are as alarming as the man himself
Secrets and spies of Scotland Yard
A new Espionage Act threatens whistleblowers and journalists, writes Sarah Kavanagh
#AndABlackWomanAtThat – part II: a discussion of power and privilege
In the second article of a three-part series, Sheri Carr reflects on the silencing of black women and the flaws in safe spaces
How progressive is the ‘progressive alliance’?
We need an anti-austerity alliance, not a vaguely progressive alliance, argues Michael Calderbank
The YPJ: Fighting Isis on the frontline
Rahila Gupta talks to Kimmie Taylor about life on the frontline in Rojava
Joint statement on George Osborne’s appointment to the Evening Standard
'We have come together to denounce this brazen conflict of interest and to champion the growing need for independent, truthful and representative media'
Paul O’Connell and Michael Calderbank consider the conditions that led to the Brexit vote, and how the left in Britain should respond
On the right side of history: an interview with Mijente
Marienna Pope-Weidemann speaks to Reyna Wences, co-founder of Mijente, a radical Latinx and Chincanx organising network
Disrupting the City of London Corporation elections
The City of London Corporation is one of the most secretive and least understood institutions in the world, writes Luke Walter
#AndABlackWomanAtThat: a discussion of power and privilege
In the first article of a three-part series, Sheri Carr reflects on the oppression of her early life and how we must fight it, even in our own movement
Corbyn understands the needs of our communities
Ian Hodson reflects on the Copeland by-election and explains why Corbyn has the full support of The Bakers Food and Allied Workers Union
Red Pepper’s race section: open editorial meeting 15 March
On 15 March, we’ll be holding the first of Red Pepper’s Race Section open editorial meetings.
Social Workers Without Borders
Jenny Nelson speaks to Lauren Wroe about a group combining activism and social work with refugees
Growing up married
Laura Nicholson interviews Dr Eylem Atakav about her new film, Growing Up Married, which tells the stories of Turkey’s child brides
The Migrant Connections Festival: solidarity needs meaningful relationships
On March 4 & 5 Bethnal Green will host a migrant-led festival fostering community and solidarity for people of all backgrounds, writes Sohail Jannesari
Reclaiming Holloway Homes
The government is closing old, inner-city jails. Rebecca Roberts looks at what happens next
Intensification of state violence in the Kurdish provinces of Turkey
Oppression increases in the run up to Turkey’s constitutional referendum, writes Mehmet Ugur from Academics for Peace
Pass the domestic violence bill
Emma Snaith reports on the significance of the new anti-domestic violence bill
Report from the second Citizen’s Assembly of Podemos
Sol Trumbo Vila says the mandate from the Podemos Assembly is to go forwards in unity and with humility
Protect our public lands
Last summer Indigenous people travelled thousands of miles around the USA to tell their stories and build a movement. Julie Maldonado reports
From the frontlines
Red Pepper’s new race editor, Ashish Ghadiali, introduces a new space for black and minority progressive voices
How can we make the left sexy?
Jenny Nelson reports on a session at The World Transformed
In pictures: designing for change
Sana Iqbal, the designer behind the identity of The World Transformed festival and the accompanying cover of Red Pepper, talks about the importance of good design
Angry about the #MuslimBan? Here are 5 things to do
As well as protesting against Trump we have a lot of work to get on with here in the UK. Here's a list started by Platform
Who owns our land?
Guy Shrubsole gives some tips for finding out
Don’t delay – ditch coal
Take action this month with the Coal Action Network. By Anne Harris
Utopia: Work less play more
A shorter working week would benefit everyone, writes Madeleine Ellis-Petersen
Mum’s Colombian mine protest comes to London
Anne Harris reports on one woman’s fight against a multinational coal giant