Penguin Classics, 2000
Joyce came into my life in 1951, when I was 16, in the shape of Ulysses, which I read in sixth form as an optional vacation assignment, and which gave me my first deep introduction to literary modernism and literary Ireland. Both have printed their mark on me ever since. Stream of consciousness was my preferred form of prose for several years – I even used it in the French essay paper for A-level. I can’t think of a better writer in English than Joyce, and the mighty, comic, endlessly inventive Ulysses is probably his best work.
The Making of the English Working Class
E P Thompson
Penguin, new ed 2002
I read this in the early 1960s, around the time it was published – and the time I met Edward at a New Left summer school in west Yorkshire. The book and the man became close friends thereafter. No book has made a deeper impression on my sensibility; no book has enabled me to see my own life and history more clearly. What separates it from most social history is its command of language and – for want of a better word – its poetry. Discussing historical movements and people who ended up getting the future wrong, he argues we must ‘rescue them from the enormous condescension of posterity’. Precisely.
The Country and the City
Oxford University Press, 1975
A long, painstaking and beautiful examination of English literature in the search for shifting images of ‘country’ and ‘city’ through history and the often class-freighted and ahistorical meanings we give them. I challenge anyone to read his first chapter and not be eager to go on. As with Joyce and Irishness, so Williams with Welshness: two national cultural elements in my own background that have resonated within my own thought and work.
Vintage, new ed 1991
For me one of the most important English-language novels of the 20th century, Slaughterhouse 5 tells the story of Billy Pilgrim, a US soldier who survives the Dresden bombings and becomes ‘unstuck in his time’, living his life in a random order and repetitively. It combines an extraordinary realism with a wild and dangerous delight that possessed me in the 1970s and beyond like a virus and still hangs on, unshakable, in my writing and thinking and feeling. Years later, trying to write The Gulf Between Us, about three Brit workers trapped in Baghdad during the first Iraq War, I slowly realised it came straight from Kurt Vonnegut. I challenge anyone to read the final chapter and not weep.
Vintage, new ed 1993
As the 1970s’ promise of a scruffy utopia gave way to the buffed dystopia of the 1980s, I decided to look for a second (shorter) creative form and lighted on photography, a search that brought me face to face with Barthes’ masterpiece. Ostensibly a philosophical analysis of photography, it resolves halfway through into a deep and painful examination of Barthes’ long dependent relationship with his recently dead mother. No one of a certain age can read this book and not feel a memoir coming on.
The Rattle Bag
Ted Hughes and Seamus Heaney (eds)
Faber and Faber, 2005
Five hundred and more poems from four corners and five continents make up the best poetry anthology you’ll ever encounter. I send copies of it out each Christmas; and there are three copies strewn about the house in case I feel a sudden need of it. In the words of the editors: ‘This anthology amassed itself like a cairn … each poem full of its singular appeal, transmitting its own signals, taking its chances in a big voluble world.’ A gem.
A Life in Letters
Penguin Classics, 2004
I’ve been reading Chekhov (letters, stories, plays) since the 70s, when Richard Eyre bought me his Selected Letters as companion on my travels into my new English version of The Cherry Orchard. This new volume, much enlarged and with excellent notes in a brilliant translation, confirms that Chekhov is in the first rank of writers, thinkers and human beings.
The Angel of History
HarperPerennial, reprint 1995
Forché is the founder of a movement known as Poetry of Witness. Some years ago I encountered her work (Gathering the Tribes, The Country Between Us, Against Forgetting) and knew at once it was important and would last. The Angel of History, published in the mid-90s, is a scarifying account of the bloody horrors that are the 20th century: war, genocide, holocaust, nuclear destruction; but one filled with love and tenderness and a warm awareness of the smallness of things. These are poems that make the earth a better place.
Radical playwright Trevor Griffiths’ A New World: A Life of Tom Paine was at the Globe theatre this summer and his Comedians at the Lyric last month
Yasmin Gunaratnam reflects on John Berger’s gut solidarity with the stranger
Charlie Clarke and Heather Mendick discuss how to work through the tensions within Momentum
As man-made global warming gets closer to the tipping point, Andrew Simms finds reasons to be positive about averting catastrophic climate change
In this extract from his new book The Candidate, Alex Nunns tells the inside story of how Jeremy Corbyn scraped onto the Labour leadership ballot in 2015
Graham Jones proposes a framework for a diverse movement to flourish
Musician Eliane Correa reflects on the fading revolution
Trump's victory is another sign of the failure of the centre-left's narrative on climate change. A new message is needed, and new politicians to deliver it, writes Alex Randall
Siobhán McGuirk says the question we are too afraid to ask is simple - what kind of society leads to Donald Trump as President?
The battle lines are clear. Democracy is in peril and the left must take itself seriously electorally and politically. Ruth Potts speaks to Gary Younge, who was based in Muncie, Indiana, for the US election, about the implications of Donald Trump’s victory
We need a society built on openness, community and equality to truly defeat everything that trump stands for, writes Nick Dearden.
Utopia: Work less play more
A shorter working week would benefit everyone, writes Madeleine Ellis-Petersen
Short story: Syrenka
A short story by Kirsten Irving
Utopia: Industrial Workers Taking the Wheel
Hilary Wainwright reflects on an attempt by British workers to produce a democratically determined alternative plan for their industry – and its lessons for today
Mum’s Colombian mine protest comes to London
Anne Harris reports on one woman’s fight against a multinational coal giant
Bike courier Maggie Dewhurst takes on the gig economy… and wins
We spoke to Mags about why she’s ‘biting the hand that feeds her’
Utopia: Daring to dream
Imagining a better world is the first step towards creating one. Ruth Potts introduces our special utopian issue
Utopia: Room for all
Nadhira Halim and Andy Edwards report on the range of creative responses to the housing crisis that are providing secure, affordable housing across the UK
A better Brexit
The left should not tail-end the establishment Bremoaners, argues Michael Calderbank
News from movements around the world
Compiled by James O’Nions
Podemos: In the Name of the People
'The emergence as a potential party of government is testament both to the richness of Spanish radical culture and the inventiveness of activists such as Errejón' - Jacob Mukherjee reviews Errejón and Mouffe's latest release
Survival Shake! – creative ways to resist the system
Social justice campaigner Sakina Sheikh describes a project to embolden young people through the arts
‘We don’t want to be an afterthought’: inside Momentum Kids
If Momentum is going to meet the challenge of being fully inclusive, a space must be provided for parents, mothers, carers, grandparents and children, write Jessie Hoskin and Natasha Josette
The Kurdish revolution – a report from Rojava
Peter Loo is supporting revolutionary social change in Northern Syria.
How to make your own media
Lorna Stephenson and Adam Cantwell-Corn on running a local media co-op
Book Review: The EU: an Obituary
Tim Holmes takes a look at John Gillingham's polemical history of the EU
Book Review: The End of Jewish Modernity
Author Daniel Lazar reviews Enzo Traverso's The End of Jewish Modernity
Lesbians and Gays Support the Migrants
Ida-Sofie Picard introduces Lesbians and Gays Support the Migrants – as told to Jenny Nelson
Book review: Angry White People: Coming Face to Face With the British Far-Right
Hilary Aked gets close up with the British far right in Hsiao-Hung Pai's latest release
University should not be a debt factory
Sheldon Ridley spoke to students taking part in their first national demonstration.
Book Review: The Day the Music Died – a Memoir
Sheila Rowbotham reviews the memoirs of BBC director and producer, Tony Garnett.
Power Games: A Political History
Malcolm Maclean reviews Jules Boykoff's Power Games: A Political History
Book Review: Sex, Needs and Queer Culture: from liberation to the post-gay
Aiming to re-evaluate the radicalism and efficacy of queer counterculture and rebellion - April Park takes us through David Alderson's new work.
A book review every day until Christmas at Red Pepper
Red Pepper will be publishing a new book review each day until Christmas
Book Review: Corbyn: The Strange Rebirth of Radical Politics
'In spite of the odds Corbyn is still standing' - Alex Doherty reviews Seymour's analysis of the rise of Corbyn
From #BlackLivesMatter to Black Liberation
'A small manifesto for black liberation through socialist revolution' - Graham Campbell reviews Keeanga-Yamahtta Taylor's 'From #BlackLivesMatter to Black Liberation'
The Fashion Revolution: Turn to the left
Bryony Moore profiles Stitched Up, a non-profit group reimagining the future of fashion
The abolition of Art History A-Level will exacerbate social inequality
This is a massive blow to the rights of ordinary kids to have the same opportunities as their more privileged peers. Danielle Child reports.
Mass civil disobedience in Sudan
A three-day general strike has brought Sudan to a stand still as people mobilise against the government and inequality. Jenny Nelson writes.
Mustang film review: Three fingers to Erdogan
Laura Nicholson reviews Mustang, Deniz Gamze Erguven’s unashamedly feminist film critique of Turkey’s creeping conservatism
What if the workers were in control?
Hilary Wainwright reflects on an attempt by British workers to produce a democratically determined alternative plan for their industry